It is the near future, a future where murders have become so common, that a system had to be established. This system is called "Precrime", where 3 psychics can predict murders before they happen. Allowing police to stop the murders. This system is in production in Washington D.C. Where police officer John Anderton (who lost his son to a murder 6 years previous) has stopped numerous murders in his career. One day, he found out that he is the next person to commit a murder. Now, he is running away from a system he helped become successful, and trying to find out why he was set up to commit murder.
In a future where a special police unit is able to arrest murderers before they commit their crimes, an officer from that unit is himself accused of a future murder.
An impressive film, perhaps the most complete film Steven Spielberg has directed in quite some time. Tom Cruise (in an effective performance) stars as a pre-crime cop assigned to stopping crimes before they occur.. until he is fingered and must go on the run from his own policeforce. A fascinating and well thought out look at a possible future world realized thru impressive visual effects and solid production design.. the story keeps you involved and guessing, though the revelation of the eventual bad guy is not as much of a surprise as it could have been.. The acting is good all around, with solid supporting turns from a top notch crew of character actors.. I thought this one was quite good. GRADE: A
There was no evidence to lead him to his son&#39;s &#39;killer&#39; to murder him in the first place, so that section was a huge paradox.<br/><br/>Also, at the end when Burgess and Anderton face off, they have no idea that the precogs had seen a murder, they had not been in contact with anyone at the temple. So Cruise talked him out of killing him without any knowledge of the future, so the precogs would never have predicted it.<br/><br/>Maybe these things were explained in the book, I haven&#39;t read it so i don&#39;t know, but they were glaring holes in the film.
Few directors are capable of marrying ideas and entertainment&#151;one is often sacrificed for the other&#151;but Spielberg peppers one gripping action setpiece after another with trenchant details about a near-future robbed of the most basic freedoms and privacy.
&quot;First Movement&quot; from
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